TAP's Database of Public Art Practices in Lebanon
Our Database of Public Art Practices is an on-going research project archiving public art interventions that have taken place in Lebanon from 1980 to present day.

Untitled
Tom Chamberlain
The carousel revolves and empties and the customs officers smile, lighting my cigarettes while I carried on, waiting. The thrill of arriving without any baggage is frustrating by the fact that it is impossible to be able to give yourself to a place, to be a little blank. Beirut shimmers from where we are and sometimes gives itself entirely in its coming and going. There is something compelling in a place that at once embraces and holds back from us. In this place, banging holes in a piece of paper feels emphatic at least.
Date: | 2005 |
Location: | Aley |
Medium: | Installation |
Material: | N/A |
Section: | Contemporary |
Duration: | Temporary |
Tags: | Site-specific intervention |
Framework: | Artists’ International Workshop: Aley |
Authorizations: | Municipality of Aley |
Commissioner: | Tom Chamberlain |