TAP's Database of Public Art Practices in Lebanon
Our Database of Public Art Practices is an on-going research project archiving public art interventions that have taken place in Lebanon from 1980 to present day.
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Rhythmic fields
Pablo Dávila
In this work, metronomes rest on top of mirrors, and are set in motion randomly, generating a soundscape that will eventually end every day, and then set again in a completely different pattern than the previous one based on chance timing and certain individual decisions. The work allows random events to function within the context of a controlled system. Thus, the infinite combinations of rhythmic patterns are set in motion. Each day, a new event, never the same twice. During the month-long exhibition of this work, the soundscape and also the reflected landscape will always be different to each viewer. An infinite cycle of patterns.
Date: | 2018 |
Location: | Tripoli Citadel |
Medium: | Installation, Sound |
Material: | N/A |
Section: | Contemporary |
Duration: | Temporary |
Tags: | Displayed in public |
Framework: | Cycles of Collapsing Progress |
Authorizations: | Municipality of Tripoli |
Commissioner: | Studio Cur/Art |