TAP's Database of Public Art Practices in Lebanon
Our Database of Public Art Practices is an on-going research project archiving public art interventions that have taken place in Lebanon from 1980 to present day.
Chou Hayda
Annabel Daou
In November of 2017, people from across Beirut came to the National Museum and gave their voices to a number of objects in the collection. The people spoke to and for and about these objects from the past, and, in doing so, they revealed fragments of the present. They did not attempt to disclose a particular historical narrative. Nor did they attempt to create a fiction. They did not lie and they did not try to tell the truth. Grounded in the participatory approach to art making; it explores the ways in which the art object or artifact is imbued with social, political, moral, and personal meaning as it is received across time and within shifting cultural contexts. This audio guide is a culled experience of the present moment at the museum, facing these archeological objects with a contemporary view, bringing them into our lives now, and leaving a piece of our lives within their story.
Date: | 2018 |
Location: | National Museum of Beirut |
Medium: | Sound |
Material: | Audio guide |
Section: | Contemporary |
Duration: | Temporary |
Tags: | Site-specific intervention Participatory art Social practice |
Authorizations: | National Museum of Beirut |
Commissioner: | TAP & BeMA |